In 2000, Prodigy took a break from running alongside (his Mobb Deep cohort) Havoc into hip hop obscurity to release the solo album he had been tantalizing fans with ever since The Infamous dropped. He secured a solo deal with the almighty Loud Records and set out to create an identity as an individual, as opposed to one of many cogs in an Infamous machine.
H.N.I.C. was met with mild critical acclaim and sold over five hundred thousand copies in a little more than a month, proving that the audience was out there. What those numbers don't tell you, though, is how many fans actually sold their copies of H.N.I.C. to the local used CD shop. You see, Prodigy's lyrical prowess had been taking a beating ever since the release of the Mobb's fourth opus, MurdaMusik. The poetry he spit on The Infamous and Hell On Earth (I don't look at Juvenile Hell, because he was like, what, ten at the time?) placed him on a rather high plateau, one which would be impossible for any rapper to sustain, so it's possible that, at this point in his career, he was coasting. MurdaMusik met with a lot of opposition due to its lack of growth in its subject matter; H.N.I.C., when you put it in those terms, is more of the same.
H.N.I.C. may not have sat well in the hearts of the Mobb fans (as proven by the fact that MobbDeep's record sales plummeted with each subsequent release, and Prodigy himself didn't release another solo album until 2007), but it did do hip hop a much needed service: it secured producer The Alchemist a permanent place in the Mobb studio as an official member of the Infamous Mobb collective; one of his contributions, the first single 'Keep It Thoro', sold this album to many listeners, all by itself; it's that good.
True story: when I went to Best Buy to pick this CD up back in 2000, I came across a group of Asian businessmen who were directed to the rap aisle by a clueless employee. They were looking for The Prodigy, or, more specifically, the song 'Firestarter', and were told by the name-tag that this is what they wanted. (This is the reason why the album cover reads 'Prodigy of Mobb Deep', not 'Prodigy'.) They kept examining the back of the jewel case, not finding what they were hoping for, and I'll admit, I let this continue for a few minutes, just to amuse myself. Before they left, though, I went to the rock aisle and gave them what they really wanted, but only because The Prodigy's The Fat Of The Land fucking rocks, even today.
But that's neither here nor there.
1. BARS & HOOKS (INTRO) (FEAT BARS N HOOKS)
Your paint-by-numbers rap album intro, where Prodigy's weed carriers (who, oddly, are not affiliated with the Infamous Mobb) big up their homey. Yeah, I can't imagine why nobody gives a fuck about Bars N Hooks anymore.
2. GENESIS
This song should have been the first track, seriously. Although it's patently hilarious that he mentions his ability to paint vivid images with his lyrics, since he lost that ability two Mobb Deep albums prior.
3. DRIVE THRU (SKIT)
...
4. ROCK DAT SHIT
This is the kind of beat that Prodigy wanted to rhyme over, causing him to temporarily disband the Mobb to work solo? Really?
5. WHAT U REP (FEAT NOREAGA)
Prodigy really didn't need to spin off into a solo career to work with Noreaga, of all people, did he? At least P keeps his cool here, even with Nore shouting shit at random intervals, like a rapper on Ritalin.
6. KEEP IT THORO
Poor spelling aside, fantastic song. Still works today. The line where he threatens to throw a TV at you is still great. Now, why didn't The Alchemist produce the entire album again?
7. CAN'T COMPLAIN (FEAT TWIN GAMBINO & CHINKY)
I like Twin's gravelly voice. Prodigy actually produced this track himself? Color me impressed. This track is actually pretty good.
8. INFAMOUS MINDED (FEAT BIG NOYD)
This old-school homage is not bad, but that would be because of Rapper Noyd's almost nonexistent participation.
9. WANNA BE THUGS (FEAT HAVOC)
Havoc was nice enough to provide guest vocals and instrumentals for two tracks on H.N.I.C. While they both sound weak (when compared to their earlier work together), this song would be the better of the two.
10. THREE (FEAT CORMEGA)
This track wouldn't have sounded out of place on Cormega'sThe Realness, which makes sense, if only because Mega completely outshines his host.
11. DELT W/ THE BULLSHIT (FEAT HAVOC)
Sounds like something from the MurdaMusik cutting room floor. Should have remained there.
12. TRIALS OF LOVE (FEAT B.K.)
It doesn't matter that you've never heard of B.K. before; this song is awful.
13. H.N.I.C.
EZElpee produced a track that sounds surprisingly boring.
14. BE COOL (SKIT)
...
15. VETERAN'S MEMORIAL
I actually like this track. I won't be bumping this in my hovercraft or anything, but it's a mellow, reflective listen.
16. DO IT (FEAT MIKE DELOREAN)
Meh.
17. LITTLES (SKIT) (FEAT LITTLES)
I was never really impressed with Littles. He's technically proficient, but I always thought his skills would have been better suited to his other line of work, as MobbDeep's unofficial manager (or something to that effect). I admit, though, that it is fascinating to hear about how much love he has for Prodigy and Havoc, considering that today, he can't stand them, due to a falling-out they had (something to do with The Alchemist, if I remember correctly; I may have my hip hop history mixed up a bit).
18. Y.B.E. (FEAT B.G.)
I suppose having B.G. on a song back in 2000 is equivalent to having the super-overrated Lil' Wayne on your album today. Hell, they even sound similar, but that says more about Wayne than B.G. I won't lie, I actually liked B.G.'s 'BlingBling', but that doesn't mean I think this song is any good, or even justified in its existence.
19. DIAMOND (FEAT BARS N HOOKS)
This song is so awful that it almost doesn't warrant any comment other than 'meh'; however, when you find out that this one of Just Blaze's early production efforts, you can, at the very least, lie and tell other backpackers that you've followed Justin's career ever since 2000. if you take anything away from this track, let it be that.
20. GUN PLAY (FEAT BIG NOYD)
If you get this far in the album, you'll be fighting your body's natural impulse to fall the fuck asleep. The trite beat doesn't help your argument, either.
21. YOU CAN NEVER FEEL MY PAIN
Prodigy's song about living with sickle-cell anemia. I don't feel the need to comment more than just that.
22. H.N.I.C. (OUTRO)
...
FINAL THOUGHTS: H.N.I.C. comes off as Prodigy's effort to record every musical idea that had ever crossed his mind up until that point, since he wasn't guaranteed a second shot at solo fame. As such, it's about eight to twelve tracks too long, and that's not counting the unnecessary skits. The issue that I have with H.N.I.C., though, is Prodigy's need to have assistance on almost every single song here; there are only a handful of tracks that feature him by himself. Can it be that he wasn't confident enough to believe he could hold the attention of the listener all by himself, since he had only rhymed alongside Havoc before this album? Whatever the case may be, Prodigy's lyrical ability may have taken a turn for the worse, but on H.N.I.C., he shows sparks of the old energy, giving Mobb Deep fans the hope that the true P will come out to play. (Although we may now have to wait a few years, due to Prodigy facing several years in prison on that recent gun charge, but you know what I mean.)
BUY OR BURN? While not entirely successful, H.N.I.C. is worthy of a purchase from the used CD store, but I wouldn't spend more than four bucks on it. Pick it up and witness the slow death of a hip hop giant (that would be Mobb Deep, not Prodigy alone).
BEST TRACKS: 'Keep It Thoro'; 'Can't Complain'; 'Three'; 'Veteran's Memorial'
-Max
RELATED POSTS:
Mobb Deep - Juvenile Hell
Mobb Deep - The Infamous
Mobb Deep - Hell On Earth
Mobb Deep - MurdaMusik
Capone-N-Noreaga - The War Report
Big Noyd - Episodes Of A Hustla
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He utilized this opportunity to work with beatsmiths that would normally have no place on a Mobb Deep album, if only because Havoc's beats at the time would have put them all to shame. He didn't have to look far for his guest appearance budget to be spent, though; all of the usual suspects appear on his first solo album, H.N.I.C. (which I don't really need to spell out for my two readers, do I?), which hit stores just in time to be enjoyed with your Thanksgiving turkey and your inevitable awkward family situations.H.N.I.C. was met with mild critical acclaim and sold over five hundred thousand copies in a little more than a month, proving that the audience was out there. What those numbers don't tell you, though, is how many fans actually sold their copies of H.N.I.C. to the local used CD shop. You see, Prodigy's lyrical prowess had been taking a beating ever since the release of the Mobb's fourth opus, MurdaMusik. The poetry he spit on The Infamous and Hell On Earth (I don't look at Juvenile Hell, because he was like, what, ten at the time?) placed him on a rather high plateau, one which would be impossible for any rapper to sustain, so it's possible that, at this point in his career, he was coasting. MurdaMusik met with a lot of opposition due to its lack of growth in its subject matter; H.N.I.C., when you put it in those terms, is more of the same.
H.N.I.C. may not have sat well in the hearts of the Mobb fans (as proven by the fact that MobbDeep's record sales plummeted with each subsequent release, and Prodigy himself didn't release another solo album until 2007), but it did do hip hop a much needed service: it secured producer The Alchemist a permanent place in the Mobb studio as an official member of the Infamous Mobb collective; one of his contributions, the first single 'Keep It Thoro', sold this album to many listeners, all by itself; it's that good.
True story: when I went to Best Buy to pick this CD up back in 2000, I came across a group of Asian businessmen who were directed to the rap aisle by a clueless employee. They were looking for The Prodigy, or, more specifically, the song 'Firestarter', and were told by the name-tag that this is what they wanted. (This is the reason why the album cover reads 'Prodigy of Mobb Deep', not 'Prodigy'.) They kept examining the back of the jewel case, not finding what they were hoping for, and I'll admit, I let this continue for a few minutes, just to amuse myself. Before they left, though, I went to the rock aisle and gave them what they really wanted, but only because The Prodigy's The Fat Of The Land fucking rocks, even today.
But that's neither here nor there.
1. BARS & HOOKS (INTRO) (FEAT BARS N HOOKS)
Your paint-by-numbers rap album intro, where Prodigy's weed carriers (who, oddly, are not affiliated with the Infamous Mobb) big up their homey. Yeah, I can't imagine why nobody gives a fuck about Bars N Hooks anymore.
2. GENESIS
This song should have been the first track, seriously. Although it's patently hilarious that he mentions his ability to paint vivid images with his lyrics, since he lost that ability two Mobb Deep albums prior.
3. DRIVE THRU (SKIT)
...
4. ROCK DAT SHIT
This is the kind of beat that Prodigy wanted to rhyme over, causing him to temporarily disband the Mobb to work solo? Really?
5. WHAT U REP (FEAT NOREAGA)
Prodigy really didn't need to spin off into a solo career to work with Noreaga, of all people, did he? At least P keeps his cool here, even with Nore shouting shit at random intervals, like a rapper on Ritalin.
6. KEEP IT THORO
Poor spelling aside, fantastic song. Still works today. The line where he threatens to throw a TV at you is still great. Now, why didn't The Alchemist produce the entire album again?
7. CAN'T COMPLAIN (FEAT TWIN GAMBINO & CHINKY)
I like Twin's gravelly voice. Prodigy actually produced this track himself? Color me impressed. This track is actually pretty good.
8. INFAMOUS MINDED (FEAT BIG NOYD)
This old-school homage is not bad, but that would be because of Rapper Noyd's almost nonexistent participation.
9. WANNA BE THUGS (FEAT HAVOC)
Havoc was nice enough to provide guest vocals and instrumentals for two tracks on H.N.I.C. While they both sound weak (when compared to their earlier work together), this song would be the better of the two.
10. THREE (FEAT CORMEGA)
This track wouldn't have sounded out of place on Cormega'sThe Realness, which makes sense, if only because Mega completely outshines his host.
11. DELT W/ THE BULLSHIT (FEAT HAVOC)
Sounds like something from the MurdaMusik cutting room floor. Should have remained there.
12. TRIALS OF LOVE (FEAT B.K.)
It doesn't matter that you've never heard of B.K. before; this song is awful.
13. H.N.I.C.
EZElpee produced a track that sounds surprisingly boring.
14. BE COOL (SKIT)
...
15. VETERAN'S MEMORIAL
I actually like this track. I won't be bumping this in my hovercraft or anything, but it's a mellow, reflective listen.
Prodigy Hnic Download Rar
16. DO IT (FEAT MIKE DELOREAN)Meh.
17. LITTLES (SKIT) (FEAT LITTLES)
Prodigy Album
I was never really impressed with Littles. He's technically proficient, but I always thought his skills would have been better suited to his other line of work, as MobbDeep's unofficial manager (or something to that effect). I admit, though, that it is fascinating to hear about how much love he has for Prodigy and Havoc, considering that today, he can't stand them, due to a falling-out they had (something to do with The Alchemist, if I remember correctly; I may have my hip hop history mixed up a bit).
18. Y.B.E. (FEAT B.G.)
I suppose having B.G. on a song back in 2000 is equivalent to having the super-overrated Lil' Wayne on your album today. Hell, they even sound similar, but that says more about Wayne than B.G. I won't lie, I actually liked B.G.'s 'BlingBling', but that doesn't mean I think this song is any good, or even justified in its existence.
19. DIAMOND (FEAT BARS N HOOKS)
This song is so awful that it almost doesn't warrant any comment other than 'meh'; however, when you find out that this one of Just Blaze's early production efforts, you can, at the very least, lie and tell other backpackers that you've followed Justin's career ever since 2000. if you take anything away from this track, let it be that.
20. GUN PLAY (FEAT BIG NOYD)
Prodigy Hnic Free Download
If you get this far in the album, you'll be fighting your body's natural impulse to fall the fuck asleep. The trite beat doesn't help your argument, either.
21. YOU CAN NEVER FEEL MY PAIN
Prodigy's song about living with sickle-cell anemia. I don't feel the need to comment more than just that.
22. H.N.I.C. (OUTRO)
...
FINAL THOUGHTS: H.N.I.C. comes off as Prodigy's effort to record every musical idea that had ever crossed his mind up until that point, since he wasn't guaranteed a second shot at solo fame. As such, it's about eight to twelve tracks too long, and that's not counting the unnecessary skits. The issue that I have with H.N.I.C., though, is Prodigy's need to have assistance on almost every single song here; there are only a handful of tracks that feature him by himself. Can it be that he wasn't confident enough to believe he could hold the attention of the listener all by himself, since he had only rhymed alongside Havoc before this album? Whatever the case may be, Prodigy's lyrical ability may have taken a turn for the worse, but on H.N.I.C., he shows sparks of the old energy, giving Mobb Deep fans the hope that the true P will come out to play. (Although we may now have to wait a few years, due to Prodigy facing several years in prison on that recent gun charge, but you know what I mean.)
BUY OR BURN? While not entirely successful, H.N.I.C. is worthy of a purchase from the used CD store, but I wouldn't spend more than four bucks on it. Pick it up and witness the slow death of a hip hop giant (that would be Mobb Deep, not Prodigy alone).
BEST TRACKS: 'Keep It Thoro'; 'Can't Complain'; 'Three'; 'Veteran's Memorial'
-Max
RELATED POSTS:
Mobb Deep - Juvenile Hell
Mobb Deep - The Infamous
Mobb Deep - Hell On Earth
Mobb Deep - MurdaMusik
Capone-N-Noreaga - The War Report
Big Noyd - Episodes Of A Hustla